Saw this on Netflix: https://www.netflix.com/in/title/81646772
You know what is coming when the movie starts off in the desert. And within 3 minutes the body count has gone to 50.
Amit Shirodkar's blog. This blog has 2 parts: 1) My own thoughts on a variety of subjects. 2) A collection of links, stories, articles, etc. that I found on the web, liked and wanted to share with others.
Saw this on Netflix: https://www.netflix.com/in/title/81646772
"It's easy to choose between right and wrong. But hard to choose between 2 wrongs."
Vikram is an honest police officer who is out to rid the world of as many criminals as possible. But he has 2 major flaws:
1. He sees everything in black and white.
2. He uses illegal / immoral means to achieve his goal, esp. in encounter killings.
The counterpart to Vikram is Vedha. A gangster who has committed 16 murders. Terror and a law unto himself. But extremely loyal and family oriented.
Vikram is out to get Vedha. The main story starts with an encounter where many of Vedha's aides are killed. That sets in motion a chain of events that draw us into the gray area of right and wrong, puppet and puppeteer. The encounter has multiple facets, all which pose moral questions as well as pose a mystery.
Vedha surrenders himself in a major surprise to Vikram. But soon he's out on bail arranged by his lawyer - Vikram's wife. And the mind games begin.
Vedha tells Vikram 3 stories that shake his entire belief system.
Based on Betal Pachisi, this is a good adaptation. It takes the gist of that tale and gives it a good flavor of its own.
Acting is first class. Madhavan as Vikram is good as usual. Vijay Sethupati as Vedha does a good job in being understated instead of over the top.
The twist at the end is delicious. I didn't see it coming.
Totally worth a watch.
Amazon Prime just launched (Sep 22) a mystery drama series called "Hush Hush"
A quartet of friends (rich and famous) have their lives going on as usual. Until, at a party, things go horribly wrong for one of them. The others also get drawn into it. A man dies. And you have a full scale disaster on your hands.
Then onwards, it is a spiral. It is also a discovery for 3 of the friends that they may not have known the 4th (Juhi Chawla as Ishi) well at all. Ishi is found dead at her home, presumably death by suicide. After that, so many layers of her life unravel that it becomes harder and harder for them to remain loyal to her, and cracks begin to show.
“Gar firdaus, bar ruhe zamin ast,
hamin asto, hamin asto, hamin ast.”
“If there is paradise on this earth, it is here, it is here, it is here…”
-- Amir Khusrau
We just returned from a visit to Kashmir (week ending 28 May). This blog is not really about the places to visit - that you can get from a Google search which will return a plethora of sites.
No, this is more about what I felt on the ground.
Disclaimer: My sample set is really small. One driver who was with us continuously for a week. A few local drivers that took us around at various tourist spots, shopkeepers that we met, hotel employees.
Tourism is booming in Jammu and Kashmir right now. Travelers from all over India are swarming there. Hotel availability is an issue. All good from that point of view.
The talk with locals starts on expected lines. "We have no problems with India. All our earning comes from there. We are all one people anyway. Unrest is just a media creation. Don't believe all that you see on the TV channels."
Scratch the surface, wait long enough, and something slips through.
One of the local drivers, who took us to Betaab valley (named after Sunny Deol - Amrita Singh's movie by the same name) said "Betaab valley is so beautiful, that you won't feel like going back to Hindustan from there." Slip of tongue, but very noteworthy.
Our continuous driver was all business generally. But in a week, there will be times when you do speak your mind.
We asked him about how the situation was during COVID times. He said that they were confined to their homes. No phones, no internet for 6-10 months. "Aap ke saath aisa ho jaaye to kaisa lagega aap ko? Mere dost ki Ammi ko COVID hua. Na landline, na mobile phone chal raha tha. Humein hi pata hai hospital kaise le gaye unko."
"Internet nahi hota hai to bahut dikkat hoti hai Sir. 2010 mein band kiye the. Jab Burhan Waani shaheed huye the tab bhi bahut dikkat hui thi."
Burhan Wani. Shaheed. Terrorist for us. But shaheed for him.
Another time our tempo traveller was stopped because of a passing Army or CRPF convoy. This has been started since the Pulwama attack where 40 of our CRPF jawans were martyred in a suicide attack in 2019. It's very inconvenient. But necessary from my point of view.
Chat during one such stoppage. "Sahab, kitni security force hain yahan par. 80 lakh Kashmiri. Unko sambhalne ke liye 16 lakh force (Army + CRPF + J&K police, etc.). Jagah jagah par rokte hain. Humein bahut dikkat hoti hai."
During our trip, Yasin Malik's sentencing happened (life in prison). He is a classic case of how we lost the plot and turned a killer of 4 Air Force officers into a Nelson Mandela type of figure for the Kashmiris (hard to achieve this, but we did it). Our guide said that "Accha hua unko maut ki sazaa nahin hui. Warna shaayad aap ki trip yahin pe khatam hoti. Mein kuch nahin kar paata."
We chatted with our tour operators (local and Mumbai). The feeling that they have is that people in Kashmir have not earned for 2+ years due to COVID. Coffers are empty, and money is low. So this year their priority is to earn. And get their houses up and running. Which is understandable. When your stomach is empty, first thought is to put food into it. That is why the locals are not even entertaining any requests from terrorists / insurgents.
The Amarnath yatra this year will, God willing, pass off peacefully because nobody wants any risk to their income.
The issues (if any) may start next year. Once stomachs are full then we shall see if the love still remains. I don't want to go into the politics of it. But hearts and minds are not won in a day. It's a tough balancing act that our government and agencies have to do.
Some people may never be fully in India's favor. But if enough get firmly behind us - hopefully for love of India, worst case purely for financial reasons - we may yet turn the tide. Best is if the "shaheed" turns into "terrorist". Hope is eternal.
An ordinary mom turned avenging angel. That is the story of "Mai" in short.
Sakshi Tanwar plays Sheel, an ordinary doctor mom, whose daughter (Supriya - Wamiqa Gabbi) is run over by a truck in front of her own eyes. The rest of Season 1 is spent in Sheel getting deeper and deeper into the mystery behind Supriya's death, finding that it was a murder, and then avenging it.
Sheel works in an old age home with medical facilities in Lucknow. Her husband Yash (Vivek Mushran) is an engineer, but is stuck running their pharmacy shop and doing electrical odd jobs in his spare time. Their daughter, Supriya, is a mute doctor who also is a stand-up comedian. She is run over on the date of her younger cousin brother's birthday.
The truck driver who runs over Supriya apologizes to Sheel. While apologizing, he says "I didn't want to do it!" This sets Supriya thinking and she follows the trail. The trail leads to a murky world of medical scams, ruthless characters, and the SPF (Special Police Force) of UP.
The cast of characters includes Jawahar (Prashant Narayanan), Jawahar’s lover Neelam (Raima Sen) and Jawahar’s band of goons. Two of them, Prashant (Anant Vidhaat) and Shankar (Vaibhav Raj Gupta), deal with Sheel the most. First they treat her with kid gloves out of sympathy. Then they find out how ruthless she can be on her path of vengeance.
There's a whole bunch of characters - including the always reliable Akash Khurana (Goel) as the higher level crime boss, Seema Pahwa as a woman who has killed her abusive husband and owes Sheel a debt of gratitude, and Farooque (Ankur Ratan) of the SPF who had a personal interest in Supriya.
But none of them are developed beyond a point. Only Sheel as the main protagonist and Prashant are very well etched. Even Shankar, loyal to Prashant, is shown properly.
Raima Sen as a typical gangster's moll is wasted. So is Seema Pahwa, who still manages to showcase her brilliance by the emotions in her eyes. Vivek Mushran never manages to rise above the mundane. Wamiqa Gabbi is good in her role, even with the mute limitation.
The use of colors is brilliant. It adds to the whole atmosphere.
This is almost family friendly. Just a few scenes here and there - 13+ can see it methinks. Has a A certificate.
In spite of its limitations, the series is worth watching for Sheel (Sakshi Tanwar). The emotions that she shows are just amazing. So is her single minded determination. How she uses her medical knowledge to take revenge is mind boggling at times.
Hell hath no fury like a mother on the warpath - see it just for her.
This is a relatively old movie (2013). I just saw it yesterday on Amazon Prime. Couple of scenes will make it one degree short of family friendly, but I think you can watch it with teenagers.
The movie is set in the early 1990s in the Pune 52 pin code area. Amar Apte (Girish Kulkarni) is a struggling detective who gets mostly cheating spouse cases. His lack of earning and their overall situation makes for daily fights with his wife Prachi (Sonali Kulkarni).
One day Amar gets a case of a woman who is cheating on her husband with a prominent builder, Prasad Sathe (Kiran Karmarkar). While Amar does get incriminating photos of the 2, the police go after him since the builder has clout and files a case of invasion of privacy. As a result, Amar has to forgo his earnings from the case as a bribe to the police.
This leads to further tensions between Amar and Prachi. These are increased by her mother (Bharti Achrekar), who has been helping them out financially.
Enter a mysterious woman - Neha (Sai Tamhankar). She claims to be Prasad Sathe's wife, and asks Amar to spy on him.
While spying Amar discovers that all is not as it seems. He then starts playing his own game.
In the interests of not giving too much away, Neha disappears after a series of events. And then Amar starts getting a lot of business from Prasad Sathe and his contacts. The fights between Amar and Prachi totally go away as his earnings start rising dramatically.
But something eats away at Amar, to the point where reality and imagination start to blur.
Somehow the plot doesn't get very exciting. You keep trying to figure out what the director is trying to say. This film is labelled as belonging to the "Neo noir" category. Which for me means - dark lighting, some weird concept being thrust at you, and some things left for your imagination.
At the end you are left with the thought that this could have been so much better. Amar's character is underdeveloped. The mystery is limited to your imagination. It could have been this, it could have been that. But it isn't great at all (that or neo noir is not for me).
The superb cast is the main reason to see this film. Girish Kulkarni is damn good. Sonali Kulkarni is a treat, as always. Sai Tamhankar does her job well (even though her character is underdeveloped too). Bharti Achrekar's talent is wasted.
The scenes between Amar and Prachi are too good. Any husband wife will identify and appreciate them :-).
Recommendation: Watch, but with low expectations.
Not family friendly.
The past can come back and haunt the present. And screw it up badly.
A famous author Tahir Wazir (Arjan Bajwa) has been facing a writer's block many years since writing a very famous novel. He meets a wannabe writer Meetu Mathur (Shruti Haasan) who is a huge fan and has a story of her own. Since he has no ideas of his own, Tahir wants to user her story and so strikes up a friendship.
Tahir's wife (Gauhar Khan) is a successful Ad agency owner. She gets a new intern, Parth (Satyajeet Dubey), who is bright but has a hidden agenda. That of destroying Tahir and anyone close to him.
A series of whirlwind events, bodies dropping, assaults, and we have a full blown case on our hands. Tahir gets hammered from all sides, and the needle of suspicion points squarely at him.
Mithun Chakraborty and Sonalee Kulkarni are the cops in charge of the case. Mithun has a reputation of not letting go until he finds the truth. But he has a past too.
The truth lies hidden in Tahir's past and the novel he wrote.
The direction is fast paced. You don't feel bored at any point in time. Mithun as usual, gives a good performance. Shruti is competent, so is Sonalee. Gauhar Khan is so-so. Satyajeet Dubey is good in places, overacts in others. Arjun Bajwa does a decent job, but he could have done much better.
Finally the series left me with a sense of being less than what it could have been. It's a little unsatisfactory. But still definitely worth watching, with a promise of Season 2 clearly at the end.
Watched The Great Indian Murder on Hotstar.
Not family friendly.
Tigmanshu Dhulia has directed the adaptation of Vikas Swarup's murder mystery 'Six Suspects'. I haven't read the book, so can't compare.
The series - season 1 - is watchable. But if you are expecting Gangs of Wasseypur level stuff, you will be sorely disappointed. It keeps you engaged, and is pretty decent. But GoW it's not.
A rich business man and third class human being - Vicky Rai - is killed at a party thrown at his own farmhouse. The list of suspects is long. But mainly there are 6, which include his own father - played by Ashutosh Rana.
The bonus for me came in the form of Raghubir Yadav. What a delight to see him in action again! Ashutosh Rana and Richa Chadha are good in their respective roles as father of victim/suspect and Police inspector respectively.
The CBI officer leading the investigation has his own agenda and no morals. Played by Pratik Gandhi, this was a disappointment. No pizazz.
Shashank Arora as one of the main suspects was much better.
Jatin Goswami as the victim is decent. Could have added more flair, but was ok.
The main grouse with this series is that I am used to the Hercule Poirot kind of direction where the audience is also presented with the same set of clues as the detectives. And then you also get to do your own detection. You fail often, of course, but that's not the point.
Here you are shown things very late. So you can't even begin to try and deduce anything. It might be that way in the book, but surely there's room for improvement when the medium changes.
Some of the episodes are much better than the others and give a glimpse of Tigmanshu that we love. . Even with this unevenness, it still is watchable.
Saw "The Girl with a bracelet" (La Fille Au bracelet) --> French with English subtitles --> on Amazon Prime Video.
I liked it. Story of a teenager who stands trial for murdering her best friend.
Extremely low on melodrama, and almost devoid of any grisly visuals. Looks almost like a documentary. Only the dialogue in a few scenes renders it not suitable for family viewing.
Very simple, and yet holds your attention. Understated, and a welcome change for me at least.
It touches on generation gap. And questions whether we are too hasty in judging young people for their actions from an older generation's perspective.
The end has deliberately been left ambiguous, and to each his own as to what it means.